The first impression one gets from
listening to Sylvia Plath read her poetry is that she possessed the most
haunting of voices. Her voice echoes
throughout whatever chamber it is played in, filling the space and bouncing off
the walls with its beautifully clear enunciation and barely contained emotion.
Sylvia’s words, although very fierce and lovely on the page, become even more so
as they come from the mouth of the poet herself: each word seems to take on a
shape and feeling of its own, coming out of her mouth with all of the force and
desire of one possessed.

Encompassing twenty-two of Plath’s
poems, this audiobook has no narrator and no explication; it is merely Plath’s
voice, on its own, and is all the more emotive, lively, and effective for it.
Each poem blends into the next, beginning with the ominous "The Ghost’s
Leavetaking," in which Plath urges the tangible representation of
mortality to

Go, ghost of our mother and
father, ghost of us,/ And ghost of our dreams’ children, in those sheets/ Which
signify our origin and end,/ To the cloud-cuckoo land of color wheels/ And
pristine alphabets and cows that moo/ And moo as they jump over moons as new/
As that crisp cusp towards which you voyage now.

Her word choice is strong and clear,
and her voice adds to the yearning present in the lines for a return to an
ability to believe in and enjoy things more fully and innocently. This is the voice of a poet who has been
through difficult and trying times and is certain that there is more suffering
and trial to come. On "The Disquieting Muses," Plath lets the
listener/ reader a glimpse into her private world of mental illness and creative
energy, two related sides of herself:

When on tiptoe the
schoolgirls danced, / Blinking flashlights like fireflies/ And singing the
glowworm song, I could/ Not lift a foot in the twinkle-dress/ But,
heavy-footed, stood aside/ In the shadow cast by my dismal-headed/ Godmothers,
and you cried and cried:/ And the shadows stretched, the lights went out.

Throughout
this sampling of her poems, Plath deals with the issues and feelings that
informed and shaped so much of her poetry: loss, death, fatherhood, love,
desire, hope, pain, grief, and mental illness. Listen to this audiobook while
reading Plath’s poetry: it is an experience that offers an insight into the
poet that just one of them cannot, and shows Plath’s talent with words/as a
poet, as well as her ability to share her grief and feelings unlike most other
poets of her generation.

© 2002 Miranda Hale

Miranda Hale is a graduate student in English
Literature who lives in Spokane, Washington and who reads entirely too much
Sylvia Plath.

Categories: General, Depression