The Way of Stretching
Full Title: The Way of Stretching: Flexibility for Body and Mind
Author / Editor: Anne Kent Rush
Publisher: Little, Brown, 2005
Review © Metapsychology Vol. 9, No. 36
Reviewer: Christian Perring, Ph.D.
As someone who is interested in the
health benefits of yoga, but who at the same time is rather skeptical about
some of the assumptions of Eastern medicines, I was hoping to like The Way
of Stretching. The back cover
explains that it is aimed at those who seek the benefits of increased
flexibility but are put off by yoga’s esoteric terminology and
unnatural-seeming positions. However, it
turned out to be a disappointment, avoiding some of the foreign words not the
basic ideas, and substituting other funny positions for the more familiar ones,
describing them rather vaguely, and using crudely drawn pictures to illustrate
them.
The book is introduced by three
chapters on body stretching, mind stretching, and mind-body basics. It combines ideas of Western science with
Eastern belief, setting out the idea of the connection between mind and body,
and the energy that keeps us living and moving (chi or prana). ("Prana waves move in different
patterns to permeate life at all levels, from rocks and plants to people and
ideas.") It aims to prepare the
reader for exercises, with a theory of how stretching can be helpful. The language is mostly simple and the ideas
are easy to understand, even if they are not always plausible.
The second part of the book sets
out the different exercises (charkas), in seven chapters corresponding to
different parts of the body. Each of
these chapter explains the importance of that part of the body, and how it
connects to the mind. For example, it
claims that all nerves in the body culminate in the feet, and thus that foot
flexibility can relax nerves and send renewed energy all over the body. There’s no evidence made for these claims,
and they are not confirmed by Western knowledge of biology, but such concerns
are not addressed in the text.
Each exercise is set out in simple
steps, normally with one drawing to accompany it. The explanations are not always clear. For example, in the Squat Rest, a person squats with heels flat
on the floor, and elbows or forearms on the insides of the knees. Step 3 says "Gradually relax so that
the position, rather than the muscle tension, is holding you in
place." Most people, especially
most men, will find it very difficult to get their bottoms close to the floor
as in the illustration, and relaxing will only result in falling over. The book does not say how to avoid this. Other exercises seem particularly
strange. For example, in Flapper Knees,
the person stands with legs apart and moves the knees first away from each
other and then toward each other until they touch, and then repeating. I found that the exercise was mainly good for
inducing laughter in others. Similarly,
with Inchworm, the person is meant to form an arch with feet on hands on the
floor and mid section high in the air, and then walk the hands forward a few
inches, and then the feet, repeating until having covered several yards. This may be good exercise, but it scared my
cat.
It is hard to follow yoga
instructions at the best of times, and reading steps from a book is
particularly hard when you are in the middle of a pose. This book often leaves some important
details unclear, such as where you are supposed to put your feet or how the
whole motion works. Books with series
of photographs showing a pose are easier to follow than having a verbal
description and a crude drawing.
Ideally, one would use the book in conjunction with classes from a yoga
teacher, but even then, it isn’t clear how much additional help the book would
provide.
Some people may prefer the little
drawn sketches to photographs, because they might be less distracting than
seeing a real person. Furthermore,
there are probably some poses here that some novices may find useful for
getting started. However, for those who
are really intent on doing a whole program of stretching to improve their
health, I would suggest finding a different book that provides more guidance
about how to do the poses.
© 2005 Christian Perring. All
rights reserved.
Christian Perring, Ph.D., is
Chair of the Philosophy Department at Dowling College, Long Island, and editor
of Metapsychology Online Review. His main research is on
philosophical issues in medicine, psychiatry and psychology.